Over here record buyers saw it as a jolly pop tune and sent it to No.1. The ever-trippy “White Rabbit,” one of the album’s two major hits, helped a counterculture movement filled with an influx of traditional pop and hallucinatory vibrations. Van claimed he never saw a penny of royalties and the contract he naively signed rendered him liable for all expenses incurred during the recording process, which is probably a big reason why he doesn’t consider it one of his favorite songs from the catalog. Their turbulent domestic life (Tina accused Ike of being an abusive husband) has overshadowed their legacy, but there’s no denying the electricity the two had on stage. He lays on the lasciviousness, works up some groovy licks and spouts the smut while drummer Mitch Mitchell earns his wage with a clatter of rolling fills and general rabid hastiness. Noel Redding’s bass bobs and weaves around howling guitar leads. Song Title Song Artist Year Genre; Top songs of the 1960's is updated by the minute by … The opening lick over the quick bass/snare drum combo is instantly recognizable. Heavily distorted guitars, incessant piano stabs and of course Iggy’s desperate drawl combine on one of the most visceral tracks laid to acetate. According to legend this track was inspired by Keith Richard’s gardener (along with the effect of quaffing too much acid ), The Stones’ ‘…Jack’ was led by Richards’ propulsive, open tuned guitar riff which he likened to “levitation.” Meanwhile Jagger’s vocal was the perfect blend of bullish and petulant. Pop music felt its soul. The music itself is simple, as most of Fogerty’s tunes are. Naturally, that was a recommendation flagrantly disregarded. The sultry song, released as a single that year, went on to become one of the Los Angeles band’s most recognizable and best-selling hits. Spitting the lyrics with a bit too much realness, the music spins into a frenzied “high” aided by Moe Tucker’s jiggling percussion and John Cale’s freakish viola. —Mark Lore, This song is poignant as a longing, even desperate, appeal to his real-life lover Marianne Jensen but, like much of Cohen’s work, it’s so much more than autobiography because of a soaring refrain that gains meanings with each of its many repetitions. —Mark Lore, The Jimi Hendrix Experience never sounded better than they do on “Fire,” arguably the liveliest performance the trio ever put to tape. —Paul Williams, “Wooden Ships” is a staple from Crosby, Stills & Nash’s eponymous debut album from 1969. was never revealed, adding to the track’s infamy. While any number of The Beatles’ early tracks could sit pretty in this list, ‘She Loves You’ has a taut, economic charm that wallops you upside the head and scarpers before you know what’s hit you. The late, great Etta James had hit the skids by the late-60s, frittering away a decent career with a devastating heroin addiction – but there was enough faith in her voice to give her another go on her recovery. The Beatles, “I Want to Hold Your Hand”, 41. For many, it’s the epitome of a “feel good tune” with it’s sunny backing vocals, chugging guitars and Wilson’s ecstatic vocals, so happy that he’s found “The One.”. In 1965, Bob Dylan was about to pack it in. Prescient indeed. Smokey Robinson did it first. James Brown, “I Got You (I Feel Good)”, 16. We have all, at one point or another, longed to stumble upon that special someone in “meet cute” fashion. The Velvet Underground, “Pale Blue Eyes”, 70. Is there a track in the world as gloriously filthy as this? —Lane Billings and Logan Lockner, The music was phenomenal. Working at Muscle Shoals in Alabama, James delivered ‘At Last’ and this, a real body blow of a standard that loses none of its emotional heft no matter how often it’s covered. If it was a balm, it failed, but if it was just another gentle song and career highlight for jazz pioneer Louis Armstrong, the tune was still a huge success.
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