Though I’ll never remember exactly how he said it, Eli responded to me with something like: “Blues Traveler is a fucking joke. Dickeys point wasnt just to show you that Muldrow could kill -- and kill well. All fire. A quick flashback cant compete with Muldrows detailed description of how he would hunker down in the snow and wait for the snowshoe hare. During World War II, an aviator gunner is shot down over Tokyo while on a bombing raid. Or would I continue to lump the Coens in with Eli? [x}What the hell did I just read? NOTE: The screenplays we review are often in development and may experience many rewrites, some could end up being completely different than what is reviewed here. The book was written by James Dickey, who also penned 'Deliverance.' How you feel about the Coen brothers adaptation of James Dickeys wonderful novel TO THE WHITE SEA is based on one thing: whether youve read it or not. I guess they shoulda hired Michael Bay. The man embarks on an intense and violent journey, physically and mentally, across hostile territory to return home alive by trekking to Alaska. And it was clear he didn’t like me either. While taking Dickeys prose right out of the book, what the Coens do add is their vision of the film. ScriptShadow Screenwriting and Screenplay Reviews. He uses a needle and thread to sew the swan feathers into his jacket to add insulation. I stood there for what I’m pretty sure was six years of silence. When there was a brief potentially awkward pause, I knew it was the perfect time to bring up the harmonica. But Im saying this as a man who knows Muldrows past from the book and giving my approbation because I already know how this fits into Muldrows character. When he finally makes it north, Muldrow encounters another man, who shows him his prized hawks. . Which makes me wonder why the Coens left out so many of Dickeys hurdles. The war in the pacific is violently inching closer to an end. Ditto for “O Brother Where Art Thou.” In fact, that’s how they seem to approach most of their movies. It was the perfect topic to bring us together. James Dickey's "To the White Sea" is without doubt one of the greatest novels I have ever read. tis-gdv.de. Kill as many animals as possible always in scripts. I know it’s tempting but I’m doing this for your own protection……..Still here? He’s everything that’s wrong with the harmonica. Unless the Coens wanted to make an artsy action film that showcased their directing style and was bloodier than a cheap B-movie. However, I would counter by saying each murder allows him to find a way to survive. A brightly-lit scene of a kid in an endless field of snow just wont take you into his desires. Later that night, on his way out of the village, Muldrow kills the man in charge, then sets the remaining cub free. An action-movie god a la Rambo. The villagers kill one in a ritualistic manner. We'll keep trying, we'll-- Ariel: Sweetie no. For the most part, everybody got along. Seeing such a thing on display here might help you incorporate that element into your own scripts in a more powerful way. But because there is absolutely zero crossover in your interests, zero crossover in your sense of humor, because there seemingly isn’t a single thing in life that the two of you agree on, all you can do is tolerate each other and not let your dislike of one another screw up the group dynamic. She saw that with the scepter, the Sea Witch had become a huge sea monster. At least he was engaging me. This coincides with the ending of all dialogue in the film, which I was really excited about, since it made a 90 page screenplay read like it was 180. The bottom line is this: without any knowledge of who our hero is -- the brief glimpses of his past do nothing to help -- the script has nothing to say but that Muldrow is one adept, tough bastard. During the firebombing of Tokyo he kills a man his size so that he can get out of his combat boots which clearly would give him away. And be warned, folks: this is horrific savagery. The script presents us with one beautiful, hypnotic image after another. To go undetected and to persevere (to eat and find shelter) he must kill. Or, at least, I hoped it would. Reviewed by Darwin Mayflower WARNING: SPOILERS! During a celebration, two caged bear cubs are brought before Muldrow. You could look at it as a behind-the-enemy-lines survival guide. In this episode we look at Kenneth Lonergan's Academy Award winner screenplay "Manchester By The Sea", a powerful drama filled with resonating themes. In one of my favorite sequences of the script, Muldrow kills a man who feeds a flock of swan in a pool outside a house. About an hour later, I saw Eli getting a drink and decided to strike. From a sewer to the arresting nighttime image from Dickeys novel of people fleeing under heavy fire attack to a lake late at night -- the Coens have a gaggle of images to work with and startle us with. And so begins TO THE WHITE SEA. More like Burn Before Reading. To the White Sea recounts the journey of Sergeant Muldrow from Tokyo to the northern island of Hokkaido. The Coens add little to the story and for the most part skip around the obstacles Dickey set up for Muldrow, editing down the book. To The White Sea is my Eli at the bachelor party moment for the Coens. The whole group was back together again, and there was Eli, grown up, matured, nice, a seemingly different man than the character I remembered. I read Dickeys novel years ago and its always stuck with me. Please take fifteen seconds to sign up here. The script is only 89 pages. And he was actually quite good. :). As a result you will leave. Once again the use of caged animals comes into play. 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