Firemen on ladders into the smoking night. Michael Kelleher, Daniel Bergmann, and Ron Silliman joined Al Filreis for a discussion of three poems by Larry Eigner. He has written and edited over 30 books, and has had his poetry and criticism translated into 12 languages. He is often associated with language poetry. Hosted by Michelle Taransky and featuring Rachel Blau DuPlessis, Bob Perelman, and Frank Sherlock. Ron Silliman, a founder of the language poetry movement in the 1960s and one of its most dedicated and acclaimed practitioners, has deployed in The Alphabet the full range of formal and linguistic experiments for which he is known. Show all posts. Instead of considering poetry as a staging ground for the creation and expression of an ‘authentic’ voice and personality, language poetry arises out of an ‘exploded self,’ blurs genre boundaries … and seeks actively collaborative relationships between reader and writer.” The political angle of language poetry was discussed by Keith Tuma in the Chicago Review. Ron Silliman discusses two erasure poems created by eliminating parts of an existing text. Silliman classifies his poetry as part of a lifework, which he calls Ketjak (the name refers to a form of Balinese dance drama based on an ancient text.) Regarding the latter publication, he's said that it is: Intimately connected with Silliman’s interest in poetics and critical theory, the poem Ketjak also made use of “new sentence” techniques. Reviewing the book for Tremblor 7, George Hartley described “what Silliman looks for in a poem, and why the new sentence fulfills his demands” as “1) intensity; 2) power; 3) a charged use of linguistic units; 4) recurrence; 5) parallel structures; 6) a common image bank; 7) secondary syllogistic movement; 8) the systematic blocking of primary syllogistic movement; 9) varied tenses; 10) ambiguity; 11) importance; 12) tension; 13) an exploration and articulation of the hidden capacities of the blank space (parataxis).” Bob Perelman described it as a “term that is both descriptive of a writing procedure and, at times, a sign of literary-political proselytizing.”, In 1974 Silliman began working on a long poem or life-work he calls Ketjak, after the Balinese word for “monkey” and a ritual performance done by the islanders for tourists. Ron Silliman was born on August 5, 1946 in Pasco, Washington, and raised in Albany, California, north of Berkeley. The other nine writers included were Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Kit Robinson, Lyn Hejinian, Rae Armantrout, and Ted Pearson. Brooke Horvath also raises the question of the extent to which the status of prose-poems is due to a poetry that gradually gets to be seen rather than heard. I wrote it") and even scornful ("22. Ron Silliman, a founder of the language poetry movement in the 1960s and one of its most dedicated and acclaimed practitioners, has deployed in The Alphabet the full range of formal and linguistic experiments for which he is known. Ron Silliman, a founder of the language poetry movement in the 1960s and one of its most dedicated and acclaimed practitioners, has deployed in The Alphabet the full range of formal and linguistic experiments for which he is known. Ron Silliman (born August 5, 1946) is an American poet. Showing posts with label language. Showing posts with label language. Silliman was voted the Poet Laureate of the Blogosphere[8], "I’d contemplated Revelator as part of a quartet – one way of approaching Universe might be to think of it as 90 such quartets – and yet I’ve begun to realize that there are other possibilities of relation that might be articulated across a 360-part structure envisioned as a single turn...", Learn how and when to remove this template message, Silliman's Blog: weblog entry for Tuesday, October 31, 2006, Review: "Great Anthology: 'In the American Tree'", http://webdelsol.com/Double_Room/issue_six/Ron_Silliman.htm, http://www.bookthug.ca/proddetail.php?prod=201315, http://www.shearsman.com/ws-shop/category/1148-silliman-ron/product/4431-ron-silliman-northern-soul, http://counterpathpress.org/against-conceptual-poetryron-silliman#sthash.1PJbdWFl.dpuf, Ron Silliman, making poetry, unmaking rules, https://en.wikipedia.org/w/index.php?title=Ron_Silliman&oldid=893284378, BLP articles lacking sources from June 2018, Articles with unsourced statements from March 2013, Wikipedia external links cleanup from July 2014, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 April 2019, at 09:00. An influential figure in contemporary poetics, Ron Silliman became associated with the West Coast literary movement known as Language Poetry in the 1960s and 1970s. Asked to discuss the role of reference in poetry, he wrote the essay, "Disappearance of the Author, Appearance of the World," which was first published in the journal Art Con. But as Siltanen shows here, this extraordinary flow of uncoordinated detail can stimulate readers to join the poets in a delightful exploration of ordinary language. In a note to a verse-and-prose section composed in 1984–5, “Oz,” now presented in The Alphabet (University of Alabama Press, 2008), along with twenty-five other pieces published by small presses during the past three decades, Ron Silliman observes the following: “Close readers will recognize the presence of Fibonacci (who also makes a brief appearance in Lit and is a character in Zyxt).” Although he has come to be associated with the Language poets for most of his career, Silliman came of age under the sign of Donald Allen's New American Poetry (1960). As a published poet, he has taught in the Graduate Writing Program at San Francisco State University, at the University of California at San Diego, at New College of California and, in shorter stints, at Naropa University and Brown University.
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