The movie is didactic in the best tradition of Socialist Realism. and to receive email from Rotten Tomatoes and Fandango. Recommended For Mature Audiences, Spike Lee Receives American Cinematheque Award, America Has to Come to a Reckoning: Director Sam Pollard on MLK/FBI, The TV Homages of WandaVision are an Amusing, Unfulfilling Distraction. visual impressions that will forever remain embedded in your mind's eye%u2014just as much as Picasso's La Guernica communicates the horrors of war, a chest-thumping source of pride for the Soviet government, full of inciting imagery, enormous filmmaking prowess and the flavor of revolution. Now, decades later, we are delighted to have been able to create a brand new 4K restoration of the film from original 35mm fine grain masters we purchased so long ago. I am Cuba/Soy Cuba features the stories of several Cuban citizen-types: a young prostitute, a farmer, a young revolutionary and so on, up to the start of the island's Castro Revolution. We see drunken American sailors chasing women through the streets, and follow the story of a hard-working peasant whose lands and home are snatched by the United Fruit Co. Rather than surrender his cane fields, he sets them afire. By Total Film 13 January 2006. If you see it, try to figure out how the camera floated down that wall. I Am Cuba is a gripping, if stylised, historical document. If this sounds dull, then rest assured that the plot is minimal and, despite it's avowedly political purpose, hardly gets in the way of the film's main attractions today. I Am Cuba: The Ultimate Edition New Yorker Video/Milestone Cinematheque, $44.95. From the swaying palm trees in the beginning credits to the final victory march, the temperament of the revolution in I Am Cuba is uniformly passionate and determined. Anthony Nield reviews Mr. Bongo's forthcoming Region 0 release of I Am Cuba , a film quite unlike any other from the hands of Mikhail Kalatozov. It begins on a rooftop deck of a luxury hotel in pre-Castro Havana. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer. The script was co-authored by Yevgeny Yevtushenko, then the USSR's poetic superstar, and Enrique Pineda Barnet, a Cuban novelist. Most Cubans living on the island have never seen I am Cuba. Milestone released a stand-alone I Am Cuba disc in 2000 that Savant hasn't seen. Mere propaganda only reinforces the status quo. All rights reserved. I Am Cuba is an ode to a place that never existed and yet one that continues to exist. "I Am Cuba" is an anti-American propaganda film, made as a Cuban-Soviet co-production, that has been snatched from oblivion, restored, and released in the United States as a presentation of Martin Scorsese and Francis Coppola. "I Am Cuba" is a 32-year-old propaganda film that has been recently rediscovered and is making the rounds on the art-house circuit. I Am Cuba is an ode to a place that never existed and yet one that continues to exist. The Cuba it depicts may be an imagined one, but it's one we're continuing to imagine today. The Cuba it depicts may be an imagined one, but it's one we're continuing to imagine today. Being suppressed by those who wanted [I Am Cuba] made in the first place is a vindication of sorts. Its rather straight-forward in terms of plot, as it shows 4 different vignettes of everyday life, portraying the human struggle of living under harsh circumstances despite of the beautiful surroundings of Cuba. Get the freshest reviews, news, and more delivered right to your inbox! Then it shows resistance, by brave farmers and heroic students. As nearly as I can tell, this is all done in one unbroken take. The Soviets fielded a first-class team of advisers to help in the production. Find helpful customer reviews and review ratings for I Am Cuba at Amazon.com. Many of the characters are stereotypes, but they are still sympathetic and real. I Am Cuba Review By Norm Schrager At this writing (Novenber 2007), a just-released undercover poll of Cuban citizens reflects their unhappiness with … I Am Cuba review. In 1975, he won the Pulitzer Prize for distinguished criticism. Since the film’s re-release in 1994, it has gone on to be remembered for its stylistic innovation and cinematic originality, despite its antiquated political message. By creating an account, you agree to the Privacy Policy The film is immensely entertaining and occasionally inspiring, a delirious combination of Slavic solemnity, Latin exoticism, Communist idealism and breathtakingly beautiful images. The result is a technically astonishing mixture of optimistic Stalinist kitsch, agitprop and the epic Soviet style of the Twenties. Finally, there is the appearance of a great revolutionary hero, a bearded man of the people who fights in the hills, is sheltered by peasants and represents Fidel Castro. Kalatozov's fancy shots are not limited to the opening extravaganza. The movie, now in limited distribution before a video release, is of course dated in its politics. Newly Restored in 4K by Milestone! I Am Cuba is a showcase for some of the most astonishingly complex long takes ever devised. Treated to an excellent presentation, complete with optional subtitles and PCM sound, the disc sadly lacks any of the promised extras. Mikhail Kalatozov’s Soy Cuba (I Am Cuba) is an often astonishing technical achievement that transcends its somewhat didactic origins and perhaps deserves a more prominent place in the history of cinema. Reflect that it was made in 1964, long before the days of lightweight cameras and Steadicams, and the shot is almost impossible to explain. I Am Cuba is a propaganda piece, and it shows, but it transcends that and becomes genuine cinematic art with strong humanism by its poetic storytelling. There is a sequence later in the film that begins with the streets filling with demonstrators and then seemingly floats, in an unbroken take, into a high-rise cigar factory. Answer 1 of 8: Three of us girls going April 7th - 14th, does that coincide with you? I Am Cuba is a cinephile's wet dream, a collage of Herculean feats of technical wizardry that would be easy to dismiss if it wasn't so humane. Even its depravities and imperialist Yankee misbehavior seem quaint. One of the most technically impressive films of its time, and one of the most politically naive. I prefer to see this movie as a love letter to Cuba by some brilliant (but undoubtedly naive) Soviet film makers. Read honest and unbiased product reviews from our users. The film is not done with Americans. Sign up here. Read honest and unbiased product reviews from our users. TIMES STAFF WRITER. Forgot your password? Read honest and unbiased product reviews from our users. Cinema's singular dream, so often betrayed elsewhere, is to deliver such visions as this. Copyright © Fandango. How it was done, I have no idea. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Rated NR Read the latest news, features and the Empire review of the film. The camera sinuously winds its way past bathing beauties, and then moves over the edge of the deck and descends vertically, apparently floating, down three or four stories to another deck, this one with a swimming pool. But as an example of lyrical black and white filmmaking, it is still stunning. The resulting assault is so epicly impassioned it's less about Cuba per se than the fusillade of movement, shadow, light, vertigo, and landscape on the viewer's tender optic nerves. Along with the scenes of evil Yankees and brave Castroites, there are astonishing helicopter shots of Cuban landscapes, and poetry and prose are read on the soundtrack (Columbus is quoted: "This is the most beautiful land ever seen by human eyes"). Find album reviews, stream songs, credits and award information for Cuba: I Am Time - Various Artists on AllMusic - 1997 - For such a small island, Cuba has had an enormous… I Am Cuba (Spanish: Soy Cuba; Russian: Я Куба, Ya Kuba) is a 1964 portmanteau drama film directed by Mikhail Kalatozov at Mosfilm.An international co-production between the Soviet Union and Cuba, it was not received well by either the Russian or Cuban public and was almost completely forgotten until it was re-discovered by filmmakers in the United States thirty years later. Forty-five years ago, director Mikhail Kalatozov was commissioned by the Soviet government to make a … His technique seems somewhat at odds with his purpose (you won't find shots like these in Italian neo-realism), but then the movie itself alternates between lyricism and propaganda. First, it shows Cuba groaning under the yoke of Yankee imperialism. Since the film's prediction of a brave new world under Fidel Castro has not resulted in a utopia for Cubans, who suffer under one of the world's most dismal bureaucracies, the film today seems naive and dated - but fascinating. True art is revolutionary. Mikhail Kalatozov's astonishing portrait of Cuba transcends its propaganda origins and deserves a more prominent place in cinema history. Please enter your email address and we will email you a new password. There is a shot near the beginning of "I Am Cuba" that is one of the most astonishing I have ever seen. A beauty pageant is in progress. Worse, they are discovered by her fiancé, a humble fruit peddler, who believed she was a virgin. That film featured spectacular camera techniques, but they are upstaged by his opener in "I Am Cuba" and by some of the other sequences, which owe much to Fellini's influential "La Dolce Vita" (1960). Then we see the resistance: students agitating the change, including one who mimeographs propaganda pamphlets and then is shot dead, his body covered in a snow of the revolutionary sheets. Even today, its virtuosic camerawork is breathtaking. When Mikhail Kalatozov's I Am Cuba—a long-lost, phantasmagoric Cuban-Soviet propaganda film from 1964—was rediscovered and reissued in late 1995 by Milestone (with the prominent support of Martin Scorsese and Francis Ford Coppola), critic Terrence Rafferty wrote the following in his New Yorker review: "They're going to be carrying ravished film students out of the … I Am Cuba movie reviews and ratings - Tribute.ca rating of 3.89 out of 5 Stars. I AM CUBA was not shown outside Cuba and the Soviet Union until the 1992 Telluride Film Festival, where it was screened--without English titles--as part of a special tribute to Mikhail Kalatozov. In the current moment of state-promoted luxury tourism, I am Cuba may also help us understand the complicated relationship between the Cuban Revolution’s past and present. I am Cuba has as much to say about history as it does about film technique. This sequence, heavy on schmaltz, nevertheless has a real poignancy. I Am Cuba is a cinephile's wet dream, a collage of Herculean feats of technical wizardry that would be easy to dismiss if it wasn't so humane. The storyline is much more sophisticated and innovative than has been given credit. Milestone Films first released Mikhail Kalatozov’s deliriously beautiful masterpiece, I Am Cuba in 1995. It is best enjoyed on the big screen. The recent 4K restoration by Milestone Film & Video is a revelation, nothing less than a singular, definitive cinematic experience. The camera approaches a bar, and then follows a waitress as she delivers a drink to some tourists, after which one of the tourists stands up and walks into the pool - and the camera follows her, so that the shot ends with the camera actually underwater. Some of the most exhilarating camera movements and most luscious black-and-white cinematography you'll ever see inhabit this singular, delirious 141-minute communist propaganda epic. It is interesting not only for its technical skill, but also because it betrays a certain interest in la dolce vita that is not entirely in keeping with the movie's revolutionary, agitprop stance. Reflect that it was made in 1964, long before the days of lightweight cameras and Steadicams, and the shot is almost impossible to explain. It is one of the most visually hypnotic films ever -- and that's not hyperbole. Their deluxe I Am Cuba: The Ultimate Edition sports an excellent flat B&W encoding. and the Terms and Policies, I Am Cuba (Soy Cuba) (1964) – Film Review I Am Cuba (1964) is a Soviet-Cuban propaganda film directed by veteran filmmaker Mikhail Kalatozov and released at the height of the Cold War. Politically nave maybe, but it works beautifully as straight cinema. The packaging says this is a new transfer from Russian vault elements. The drinking song of bullying US sailors has a strange modern resonance: "The gals here in … See reviews & details on a wide selection of Blu-ray & DVDs, both new & used. Find helpful customer reviews and review ratings for I am Cuba (Soy Cuba) - (Mr Bongo Films) (1968) [DVD] at Amazon.com. Considering the power of the film today, it's hard to believe it fared poorly when audiences finally saw it. It was directed by the veteran Russian filmmaker Mikhail Kalatozov, then 61, whose "The Cranes are Flying" (1957) had won the Palme d'Or at Cannes a few years earlier. “The film fails to convince in its propaganda, but as a goofy view of a new Cuba it is heartily appreciated.” Reviewed by Dennis Schwartz Russian director Mikheil Kalatozishvili (“Cranes Are Flying,” 1957) provides in “I Am Cuba” a Soviet-Cuban tribute to the victors of the revolution against the Batista regime, which turns out to be a ringing endorsement for the Cuban masses. There is a shot near the beginning of "I Am Cuba" that is one of the most astonishing I have ever seen. Find out everything Empire knows about I Am Cuba. Find album reviews, stream songs, credits and award information for I Am Cuba - Tomasito Cruz on AllMusic Mikhail Kalatozov’s 1964 “I Am Cuba” is a great poetic epic that blends the stirring visual daring of Russia’s cinema of revolution with an intoxicating Latin sensuality. For the Soviet Union, the Cuban revolution was the shining example of socialism in action. Against her better judgment, a girl takes the man home to her shack, where he offends her by offering to buy her crucifix. The anti- American content is handled in a nightclub scene, where gum-chewing Yankees ogle the prostitutes, and one amateur anthropologist announces, "I'd like to see where these women live." Comments; Shares. What gives "I Am Cuba" such resonance, after all, isn't just that camera and those bodies in restless motion, but also the strange convergence of this nominal ideal with that alien accent. Don't have an account? A work of dazzling cinematographic invention that still has the ability to astound. This loony, quasi-masterpiece is one of the great jagged edges of film history. Find helpful customer reviews and review ratings for I Am Cuba at Amazon.com. Dazzling cinematographic invention that still has the ability to astound as an example of socialism in.! 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