In the following table of the movements, the scoring follows the Neue Bach-Ausgabe. "Walking steps" in imitation symbolize the following. The autograph score is titled "Concerto a 1 Oboe, 2 Violini, 2 Viole, Fagotto è 4 Voci coll' Organo". [6], The cantata in seven movements is scored for three vocal soloists (alto (A), tenor (T) and bass (B)), a four-part choir SATB, trumpet (Tr), oboe (Ob), bassoon (Fg), two violins (Vl), two violas (Va) and basso continuo (Bc). The middle section of the line about the Christians "die das Zeichen Jesu tragen" (that bear the marks of Jesus),[1] first marked "un poco allegro", is in a contrasting mood. This page includes a set of midi files of chorales harmonized by J. S. Bach. Amazon.co.uk: bach chorale. Bach repeats the beginning text four times, while the singular destination appears only once. A spiral–bound Dahn Edition of the Bach Chorales is available! He composed it in Weimar for Jubilate, the third Sunday after Easter, and led the first performance on 22 April 1714 in the Schlosskirche, the court chapel of the Schloss in Weimar. Arranged by BWV number, this new 219–page edition of 420 Bach settings is the most comprehensive edition available, containing nearly 70 settings that are left out of the popular Riemenschneider edition. Beginning with the highest voice, each part sings an extended sigh. 5: Chorale | Mvt. Cantata BWV 12 Weinen, Klagen, Sorgen, Zagen Cantata BWV 12 : Weinen, Klagen, Sorgen, Zagen for Jubilate [3 rd Sunday after Easter] (1714) [3] The scale is in C major, while the movement is in C minor, a symbol of the Kingdom of God which is a seen but not yet present. As concertmaster, he assumed principal responsibility for composing new works, specifically cantatas for the Schlosskirche (palace church), on a monthly schedule. 4-3-2-1 (with two quavers at the beginning) is quite a common pattern. It follows details of the Gospel and the idea from the epistle reading: "For this is thankworthy, if a man for conscience toward God endure grief, suffering wrongfull." [6], During the last aria, "Sei getreu, alle Pein" (Be faithful, all pain),[1] the trumpet plays the chorale tune "Jesu, meine Freude" as a cantus firmus;[11] Bach may have thought of the stanza "Weicht, ihr Trauergeister" (Go away, mournful spirits). Read honest and unbiased product reviews from our users. Below is a sortable table of Bach chorales. [6], Bach first performed the cantata in the Weimar court chapel on 22 April 1714, then performed it in Leipzig in his first year as Thomaskantor on 30 April 1724. Recorder Quartet. Listing of Bach's Chorale Settings; First Pub lication. 6: Chorale [MIDI] M. Greentree : The Bach Chorales: 197: Mvt. [3][5], The first choral movement, "Weinen, Klagen, Sorgen, Zagen" (Weeping, lamentation, worry, despair),[1] is in da capo form. [11] John Eliot Gardiner notes that the keys of the arias and the closing chorale move upwards like a ladder, ascending by thirds. Advance ticket sales have been postponed until spring 2021 and will be announced here. [7], In German, sorrow is mentioned first, then the final Kingdom of God. [6] The scale is related to the beginning of the tune of the closing chorale. I hope this colored score will be useful for your music theory studies! Throughout the middle section, the instruments play colla parte with the voices. [5] The bass singer and the continuo are in unison, interpreted as a mystical union of man and God. [3][8] The theme of the first part of the text is a situation of God's temporary absence. Thu 18th June 2020 » 11:00 am to 12:15 pm . Mvt. The primary source for the information provided here are the commentaries accompanying NBA (Neue Bach Ausgabe) volumes III/2.1 and III/2.2BWV: Because of chorale duplicates in the Breitkopf–Riemenschneider collection, some BWV numbers are listed twice.For sorting purposes, … Choral versions of all these chorales may be found on YouTube by searching for the BWV number. Cart 0 Product Products (empty) Bach; (ISBN: 0787721936237) from Amazon's Book Store. Franz Liszt based extended keyboard compositions on the same material. Bach: Cantata, BWV 12, "Weinen, Klagen, Sorgen, Zagen " - Chorale: "Was Gott tut, das ist wohlgetan" by Albrecht Mayer & Trinity Baroque & The English Concert on Amazon Music. The ninth repeat is similar to the first, but in more extreme harmonies. Bach chorales, from music theorists and theory students interested in studying the Bach chorale style or in using the chorales in the classroom, to musicologists and Bach scholars interested in the most up-to-date research on the chorales, to choral directors and organists interested in performing the chorales, to amateur Bach-lovers alike. Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church cantata by Johann Sebastian Bach. Franck contends that this is true not only for the disciples who were addressed directly, but for every Christian. Bach performed the cantata again in his first year as Thomaskantor – director of church music – in Leipzig, on 30 April 1724. First cadence simplified (borrowed from R20) Note the solution to the problem of the first cadence. Musicologist Julian Mincham notes that Henry Purcell arrived at a similar motif in Dido's Lament in the opera Dido and Aeneas, which Bach probably did not know. 7: Chorale [MIDI] M. Greentree : The Bach Chorales . supported by the Canada Council for the Arts and the Government of Canada. [9] The first four words are each sung by a different vocal part, each overlapping the next. [6] In the end, an ascending scale in the first violin illustrates the idea of entering the kingdom of God. Everyday low prices and free delivery on eligible orders. 12 Chorales Bach, Johann Sebastian Tenor Recorder separate part 5 recorders (SS | Musical Instruments, Sheet Music & Song Books, Contemporary | eBay! Your complete Music Store in Manchester, since 1857. The first section is built on a basso ostinato as an old-style passacaglia in 3/2 time. The voice enters with the same motif. [5] The first motif is an upward scale, illustrating the direction of Heaven, played by the first violin, imitated in fast succession by the second violin and then the continuo. He composed it in Weimar for Jubilate, the third Sunday after Easter, and led the first performance on 22 April 1714 in the Schlosskirche, the court chapel of the Schloss in Weimar. [2][3] Weinen, Klagen, Sorgen, Zagen is the second cantata in this series, composed for the Third Sunday after Easter, called Jubilate,[4][5] after Himmelskönig, sei willkommen, BWV 182, for Palm Sunday and Annunciation, and before Erschallet, ihr Lieder, erklinget, ihr Saiten! [5], The first of three arias, "Kreuz und Krone sind verbunden" (Cross and crown are bound together),[1] reflects the conflicting motifs of "Kreuz und Krone" (cross and crown) and "Kampf und Kleinod" (conflict and jewel). On 2 March 1714 Bach was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar. From the album "Bach: Die großen Chorwerke" by Wolfgang Gönnenwein on Napster Sheet music for Bach, JS: Selected Chorales (12): buy online. Chorale 1 Aus meines Herzes Grunde (BWV 269) Most of these pdf and audio files of the 371 Bach Chorale harmonizations are derived from MusicXML files produced by Margaret Greentree. In many cases I also consulted the published scores. 10: Chorale [MIDI] M. Greentree : The Bach Chorales: 197a: Mvt. Quailing)", "Was Gott tut, das ist wohlgetan / Text and Translation of Chorale", "Chapter 52 BWV 12 Weinen, Klagen, Sorgen, Zagen / Weeping, wailing, grieving, fearing", "Chorale Melodies used in Bach's Vocal Works / Was Gott tut, das ist wohlgetan", "Cantata BWV 12 Weinen, Klagen, Sorgen, Zagen", International Music Score Library Project, Weinen, Klagen, Sorgen, Zagen BWV 12; BC A 68 / Sacred cantata (4th Sunday of Easter), Text-, Liedvorlagen, Bibelkonkordanzen und Besetzungsangaben / zu den geistlichen Kantaten Johann Sebastian Bachs / BWV 12, Die erhaltenen Kirchenkantaten Johann Sebastian Bachs, Kantate "Weinen, Klagen, Sorgen, Zagen" BWV 12, https://en.wikipedia.org/w/index.php?title=Weinen,_Klagen,_Sorgen,_Zagen,_BWV_12&oldid=996862231, Pages using infobox musical composition with unknown parameters, Articles containing Italian-language text, Articles with International Music Score Library Project links, Articles with German-language sources (de), Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 28 December 2020, at 23:40. – J. S. Bach: Meinen Jesum lass ich nicht, BWV 124, – J. S. Bach: Ach Gott, wie manches Herzeleid, BWV 3, – J. S. Bach: Was mein Gott will, das gscheh allzeit, BWV 111. The work is structured in seven movements, an instrumental Sinfonia, a choral passacaglia, a recitative on a Bible quotation, three arias and, as the closing chorale, the last stanza from Samuel Rodigast's hymn "Was Gott tut, das ist wohlgetan" (1674). [10] The duration is given as c. 28 minutes.[7]. The cantata is scored for three vocal soloists, a four-part choir, trumpet, oboe, bassoon, two violins, two violas, and basso continuo. Find helpful customer reviews and review ratings for Bach - Organ Chorales, Preludes and Fugues (1996-07-12) at Amazon.com. "[4], Bach reworked the first section of the first chorus to form the Crucifixus movement of the Credo in his Mass in B minor, the central movement of that work, three decades later. Added the 03-12-2012 ... 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