From the late 1960s, historically informed performances (HIP) tried to adhere more to the sounds of the composer's lifetime, who typically wrote for boys choirs and for comparatively small orchestras of Baroque instruments, often now called "period instruments". A: Loads. Composed in 1727, it is a setting of sections of St Matthew’s Gospel, designed as part of Good Friday Vespers for the strict Lutheran stronghold of Leipzig. However, not every recording uses such large ensembles. This isn’t historically informed or accurate, it’s a romantic performance with large forces and slow tempos, but it is widely and in my opinion justly revered. The best recordings of Simon Rattle and the … Sung in English, and the translation was done by Troutbeck & Johnson. Had we but world enough and time, the re-release of this 1968 recording of Bach's St. Matthew Passion led by Wolfgang Gönnenwein would be no crime. It is a musical icon for the Christian world but at the same time expresses feelings common to the whole of humanity. 5th recording Richter, recorded at Herkulessaal, 2001 Grammy Award for "Best Choral Performance", 2001. also on DVD, filmed and recorded at Sint-Joriskerk, "Matthäus-Passion BWV 244 / Recordings - Part 1 / Complete Recordings 1900-1949", "Matthäus-Passion BWV 244 / Recordings - Part 2 / Complete Recordings 1950-1959", "Johann Sebastian BACH (1685-1750) / St Matthew Passion", "Matthäus-Passion BWV 244 / Recordings - Part 3 / Complete Recordings 1960-1969", "Matthäus-Passion BWV 244 / Recordings - Part 4 / Complete Recordings 1970-1979", "Matthäus-Passion BWV 244 / Recordings - Part 5 / Complete Recordings 1980-1989", "Matthäus-Passion BWV 244 / Recordings - Part 6 / Complete Recordings 1990-1999", "Matthäus-Passion BWV 244 / Recordings - Part 8 / Complete Recordings 2000-2009", "Matthäus-Passion BWV 244 / Recordings - Part 9 / Complete Recordings 2010-2019", Matthäuspassion, BWV 244 (Bach, Johann Sebastian), International Music Score Library Project, Matthäuspassion, BWV 244b (Bach, Johann Sebastian (early edition), Side-by-side arrangement of the original text and an English translation, Masses, magnificat, passions and oratorios, List of compositions by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=St_Matthew_Passion_discography&oldid=991122481, Discographies of compositions by J. S. Bach, Articles with International Music Score Library Project links, Creative Commons Attribution-ShareAlike License, Large choirs (red background): Bach (choir dedicated to Bach's music, founded in the mid of the 20th century), Boys (choir of all male voices), Radio (choir of a broadcaster), Symphony (choir related to a symphony orchestra), Medium-size choirs, such as Chamber choir, Chorale (choir dedicated mostly to church music), Madrigal, One voice per part (green background): OVPP or OVPP+R (with ripienists reinforcing the soloists in some chorale movements), Large orchestras (red background): Large (unspecified), Bach (orchestra dedicated to Bach's music, founded in the mid of the 20th century), Radio (symphony orchestra of a broadcaster), Opera, Symphony, Orchestra on period instruments (green background), Boys' Choir of Robert-Mayer-School of Heilbronn, Coro di Voci Bianche dell'Oratorio dell'Immacolata di Bergamo, Boys' voices of the Staats- und Domchor, Berlin, This page was last edited on 28 November 2020, at 11:08. In our age of period instruments and historically-informed performance, you wouldn’t necessarily turn to the Berlin Philharmonic and the progressive Sir Simon for a top-quality St Matthew Passion. Bach came from a family of prominent musicians. By Scott MacClelland. The great Klemperer recording for EMI. 22. Paul McCreesh has just eight singers – one voice per part – and while this may be too lightweight for some, the detail achieved is nevertheless inspiring. 1, Chorus "Kommt, ihr Töchter, helft mir klagen" (Chorus 1, Chorus 2), St. Matthew Passion, BWV 244, Pt. These performances would … The first recording of the work was conducted by David McKinley Williams with the choir of St. Bartholomew, New York in 1930, but was not complete. Amid this wealth of superb recordings, the one that stands out for its sense of involvement and clarity of recording is by Harnoncourt, who combines with his forces to produce a truly great Passion in every sense of the word. 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